These books have helped me to better understand issues that arise when
one is handling pre-Civil War music.
Berlin, Ira. Many Thousands Gone: The First Two Centuries
of Slavery in North America. Cambridge, Mass.: Harvard University
Press, 2000.
From the New York Times Book Review: “In this masterly work,
Ira Berlin has demonstrated that earlier North American slavery had many
different forms and meanings that varied over time and from place to place.
Slavery and race did not have a fixed character that endured for centuries
but were constantly being constructed or reconstructed in response to changing
historical circumstances. Many Thousands Gone illuminates the first 200
years of African-American history more effectively than any previous study.”
Miller, William Lee. Arguing About Slavery: John Quincy
Adams and the Great Battle in the United States Congress. New
York: Vintage Books, 1995.
From the book’s back cover: “In the 1830’s slavery
was so deeply entrenched that it could not even be discussed in Congress,
which had enacted a ‘gag rule’ to ensure that anti-slavery
petitions would be summarily rejected. This stirring book chronicles the
parliamentary battle to bring the ‘peculiar institution’ into
the nation debate, a battle that some historians have called ‘the
Pearl Harbor of the slavery controversy.’”
Gubar, Susan. Racechanges: White Skin, Black Face in American
Culture. New York: Oxford University Press, 1997.
Midwest
Book Review writes: “Unlike Afro-Americans,
who often must act 'white' to gain rights, white
people have chosen racial masquerades
to transmit a variety of impressions. This [book] gathers
illustrations to pair with discussions on racism
in representation and art, examining
minstrelsy's presence in modern American art circles.
The result is an important, in-depth exploration
of race in this culture.”
Kennedy, Randall. Nigger: The Strange Career of a Troublesome
Word.
New York: Random House, 2002.
"The Philadelphia Inquirer" said
of this book, "Demonstrates a key truth about the N-word. Epithet
or cool insider term of endearment, it tracks our racial
history and stars in a slew of court decisions that reveal large truths
about bigotry
and free expression."
Masur, Louis P. 1831: Year of Eclipse. New York: Hill and Wang, 2001.
From
the dust cover: “Americans saw the eclipse of 1831 as a
portent of their future. The year...was a crucial time when the nation
was no longer a young, uncomplicated republic but, rather, a dynamic
and conflicted country inching toward cataclysm. By the year’s
end, nearly every aspect of its political, social,
and cultural life had undergone profound change.”